Jun Takita, born in 1966 in Tokyo, graduated in 1988 from Nihon University, majoring in arts. He received a Masters from Paris Ecole National d’Art in 1992, having received a scholarship from the French government.

He draws heavily from concepts of traditional gardens and their careful and respected arts. Each of his works immerses the audience in the process clocked by the cyclical rhythms of biological and ecological phenomena. Life and death are simultaneously presented and aesthetically represented in the artist’s procedural work around the relationship between man and nature in the era of biotechnology.
He collaborates with numerous scientific teams as the Centre for Plant sciences at the University of Leeds (UK), Plant Biotechnology of Faculty of Biology University of Freiburg (DE), CNRS - Université Paris-Sud, MRI Medical and Multi-Methodes(FR), and the Royal Observatory of Belgium Seismology-Gravimetry (BE).

dimanche 4 mars 2012

C.V. Contact


Jun TAKITA　
Born in 1966 Tokyo　
71-73, rue Victor Hugo 93500 Pantin FRANCE
e-mail : jun.takita@gmail.fr
Web site : www.juntakita.com


EDUCATION
                  1991-92 : Masters course of Paris Ecole National d’Art (l’énsb-a), France.　                
                  1989-91 : Study in Piotr KOWALSKI’s studio, l’énsb-a, Paris, France　
                  1988      : Graduate at Nihon University , Tokyo, Japan.


CONFERENCE
                  2008      : "  Artist lecture Jun TAKITA", Laboratory for Molecular Cell Network Department of Electric Engineering 
                                 and Bioscience, Waseda University, Japan   
                  2006      : "  Lieux et processus créatifs de l’art du vivant", Conference holl of Art fair ARTISIMMA 14, Torino, Italy.
 : "  L’homme-paysage à l’ère biotechnologique – croisements entre culture et nature dans l’art biotech",  Collège
  International de Philosophie,  Université de Sorbonne, Paris, France.
   1998     : " Art, Science et Technique - témoignages et expériences", Forum des Arts de l’Univers Scientifique et
                  Technologique,   Toulouse, France


BIBLIOGRAPHY
                                              - Monad-isme, Exhibition Catalogue , Centre culturel de Taiwan à Paris, 2011.
- L’œuvre en l’artiste, une gestion artistique des flux, Camille prunet,  Plastik #02 - In vivo, L’artiste en l’œuvre ?, 
  march 2011
- SK-Interfaces, Exhibition Catalogue , Jens Hauser, FACT & Liverpool University Press, 2008.
- ECOSOFT ART, Apark in movement,  Exhibition Catalogue, Parco Arte Vivente, Torino, Italy, 2008.
- Rue Descartes #64 ‘LA METAMORPHOSE’, Jeanette Zwingenberger, « Les corps mutants des artistes. Bio-art »,
  Presse universitaire de France, march 2007
- DELLA LAND ART ALLA BIOART ,Parco Arte Vivente, Torino, Italy, 2007.
                               - Leonardo , Journal of the international society for the arts, sciences and technology, MIT, Boston, USA,
                                 Volume37, Number 4, 2004.
                               - L’art biotech’ ,  Exhibition Catalogue 2003, Lieu unique à Nantes, France, italian new edition 2007.
                               - Komorebi ,  Exhibition Catalogue, Contemporary Art Center, Art Tower Mito,  2003.

EXPOSITION
                  2011        : “ Corps, Prothèses et Bio-objets“, La Garage,  Béthune, France.
                                  : “ Monad-isme“, Cité internationale des Arts,  Paris, France.
                                  : “ AVEC PIOTR KOWALSKI“, Grand Galeries – Aître Saint-Maclou, Rouen, France.          
                  2009-10   : " SK-Interfaces: The Skin as Technological Interface “, Casino Luxembourg,  Luxembourg.        
                  2008        : "  Article 08, Biennale for Electronic and unstable art “ , public and private areas in Stavanger, Norway.
                                  : "  Ecosoft Art “, PAV, Torino, Italy.
                                  : " SK-Interfaces: The Skin as Technological Interface “, FACT,  Liverpool, England.
                  2007        : " LIVING MATERIEL “, PAV,  Torino, Italy.
                                    " ERRATUM, la biennale d’issy “, Musée de la carte à Jouer, Issy-les-Moulineaux, France.
                                    " L’Homme - Paysage “, Château d’Oiron, Oiron, France.
                                    " Artificialia, un cabinet de curiosité contemporain“, Maison d’art Bernard Anthonioz, Nogent-sur-Marne,
                                     France.
                  2005        : " Artificialia II “, Musée Barrois, Bar-le-Duc, France
                  2004        : " BIO DIFFERENCE ", Biennale of Electronic Arts Perth,  Lawrence Wilson Art Gallery, Perth, Australia.
                  2003        : " Komorébi", ART TOWAR MITO, Mito, Japan.
                                     " L’art biotech", Le Lieu Unique, Nantes, France.
                  2001        : " NEXT GENERATION / ART CONTEMPORAIN D’ASIE ", Passage de RETZ, Paris, France.
                                     " REWIND ", Glassbox, Paris. France.
                  2000        : " Made on Mars ", Glassbox, Paris. France.

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